Free FL Studio Sounds, Kits, Packs
It can be a tricky thing if you are just starting to learn how to use Fruity Loops for the first time, but, you will hopefully have a greater understanding after this tutorial is complete. I will be writing very easy-to-understand instructions with pictures, and videos at the end of each section so that you can really get the feel of things. I will also be adding in a few “advanced” tricks to spice things up a bit. Let’s get started!
FL Studio 11.0.0
Notable signs of someone with DAW Bias are: This is marked by the belief that only amateurs and people without talent use FL Studio, and is usually accompanied by being a low-key hater of Hip-Hop and EDM. However, behind many biases are a grain of truth. DAWs are complex and reading manuals is boring. This leads to a lot of mistakes that are simple to fix, but often go unchecked.
Mistake 1: However, there is a good way to do this, and a not-so-good way to do this. The most common mistake I see is people overloading either their individual channels, or their master channel. What does overloading mean? While we get the signal louder by turning it up, up, and up, we also lose punch and create a tonal quality that is usually worse than what we started with.
Drum sample producers want their drums to appear as loud as possible, so they maximize the level of the sample. That means when we program this sample into FL Studio, there is no more room to turn it up without distorting!
However, once you export to a fixed bit depth like 16 or 24, or convert your export at 32 to an mp3, any overs suddenly become clips. By doing this, you leave yourself room to turn things up or down. Watch for those little red squares at the top of your channels. But how do you make the playback loud? The limiter will prevent clipping. And while it may seem counterintuitive, by turning things down at the very beginning you will actually have an easier time getting things even louder at the end.
Mistake 2: Velocity, Time Offset and Swing. Music is dynamic — meaning it changes. If everything hits exactly the same, exactly on the beat, it sounds like robots made it. Which in some circumstances can be ok. Freezepop has made an entire subgenre of their own from strictly quantized, robotic sounding music. And the hi-hat rolls in Trap kind of work, somehow. However, most music benefits from dynamics and pocket changes in level and timing. By default, FL will put a hit at a designated velocity on the exact timing of a beat.
But if you open up the sequencer window you can find that all of this is adjustable. Making some micro-timing adjustments can give the record an exciting feel. If you want something relaxed and groovy like the kind of Hip-Hop we like to smoke wee … err … relax to, drag those snares ever so slightly late. Swing Trap? Somebody better do it, or I will. Mistake 3: Stagnant Arrangements Music is progressive.
No one is trying to hear that. People want arc, drama and excitement. Make a format to help them tell their story! Mistake 4: The best producers know this and take full advantage of being able to both play live and program by sequence. Mistake 5: When exporting, we want the absolute highest quality file we can print out.
For this I would just straight up copy these settings: I generally recommend not printing bit float unless you will be doing further treatment to the track yourself — like if you are going to pull the file back into another DAW to do your own mastering for example.
Very few audio playback systems accept float and will either reject the file or convert it to a non-floating bit depth. Currently that number is Mistake 6: When advertising your production on your sales page, I completely advise making a heavily compressed, pumped up, loud version of the instrumental.
In order to get the vocals to blend well with the music, whoever is recording and mixing needs space in the record. If the record is slammed, whether through compression, limiting or hard-clipping the master channel — there is no more room. In order to make the vocals work, the engineer will have to make concessions.
Once a beat is purchased, make an alternate version that is less compressed to help the process. Your name is going on this record and over the long term, everything that can help the success of the song benefits you! The complete individual trackouts of each audio element. This one takes a bit of judgement. However, if you know that a badass engineer will be handling the mixdown, give us the versatility to make the record the best it can be. With that selected, all the processing like EQ and compression you have on your sounds will be printed into the trackouts.
So go make your music and let haters stand in the dark. Missing our best stuff? Sign up to be the first to learn about the latest articles, videos, courses, freebies, giveaways, exclusive discounts and more. Talk to you soon. There was an error submitting your subscription. Please try again.
According to Hit-Boy, Vinylz, Young Chop, and seven more working pros.
This is a large file and may take long time to download via slow Internet connection. Editors’ Review by Download. Competition in the world of all-in-one music-creation suites has grown considerably since Fruity Loops first started breaking beats. The photo-realistic mixing-board interface, littered with small, unlabeled icons and burdened with a confusing file browser, makes the learning curve steeper than it should be.
VIDEO: 13 Things All Fruity Loops Producers Know To Be True
Can you open a song you made on a demo version of FL Studio on a What is the trial period for FL Studio 12’s demo version? Answered Jan 10, What differentiates Fruity Loops from similar programs is its simplicity, Admirers say its simple interface and easily attained demo version helped We talked to 10 star producers—Hit-Boy, Lex Luger, Metro Boomin, Vinylz. Download the FREE demo: Fruity Loops Studio 10 Demo. UPDATE: Scroll down the page for a special promotion of 10% off on Fruity Loops