Voxengo LF Max Punch
The sheer power that comes from a strong low end, combined with the driving rhythm that it offers is why music makes you want to move. For this, you need a good bass VST. Bass is important and is often difficult to replicate in a convincing fashion when it comes to VSTs.
Tips and How-To’s Direct In boxes have proven to be one of the key innovations in the relatively short history of recording bass guitar. Using a DI is a great way to get a full, dry bass tone that can be improved and boosted in all sorts of ways for all sorts of styles. Especially now that amp modeling technology is so excellent, bassists rarely long for the days when hauling an SVT to the studio was a must.
Sure, with nothing but that clean tone sitting in your DAW, it may seem impossible to get the gurgling, thick, sub—tinged bass tone you so sorely desire. Automation The first hurdle in your journey to earth—shaking low end comes in the form of levelling out uneven attack. A volume automation plugin will do the trick, balancing the levels of individual notes without coloring the recording or changing the attack profile of your notes.
It tends to work best before a compressor. The Bass Rider will even filter out unwanted background noise. When using an automation plugin, start out by matching its target level to the average level of your bass input for the most transparent response.
For crunchier applications, set a higher target level to add higher overall gain and loudness. Response determines how quickly the effect releases. In general, you want to set slower times for slower passages and faster times for when a lot of note attacks happen in quick succession. The controls are straightforward here.
Turning the artifacts dial up knob will reduce unwanted noise e. The spill function is designed to reduce mic bleed or background sound. The output controls the overall level that the effect sends out and should be set close to 0db. While the rider will handle your bass leveling, a compressor will shape your attack transients. A high ratio will also contribute to a heavier treatment. Many compressors will give you programmable attack and release times that determine how quickly the compressor engages and disengages.
This functionality makes it easy to get richer and more powerful low—end without increasing actual loudness. But RBass really wins on how intuitive it is to set up. Waves RBass Set the frequency to the key that your song is in and dial in the desired intensity of the effect. Here, the intensity fader controls how many harmonics above the bass tone are added to the input signal.
The center level meter visualizes the added harmonics. You can also choose to remove the fundamental frequency by clicking the in button above the intensity meter, and doing so will add clarity to otherwise muddy tones.
After you have your desired low—end response, set the output fader to around —3dB and tweak accordingly. Be aware that if you have an excellent bass tone already, RBass may be of little help to you. Low frequency enhancement is not a utility effect like compression, but rather an ornamental effect like reverb. Since RBass creates new harmonics for your bass tracks, this plugin works especially well before a midrange equalizer.
Midrange EQ Bass clarity and definition is made in the midrange. The truth is that a lot of the perceived heft actually occurs between and Hz. You want to find an equalizer with both attenuation and boost controls to tame your mids before pushing your signal into an amp simulator.
The result will be a richer and more focused bass sound, without adding mud to your mix. Adding an amp simulator at the end of your chain will give your bass tone a consistent dynamic feel by evenly saturating your signal path.
There are a handful of superb plugins to add convincing analog saturation. I firmly believe that everyone only needs two amp simulators, each based on the most iconic bass amps: Best known for its warm response and sultry tube saturation, the B—15N is and has been the industry standard for soul, funk, and jazz bass since its debut in the mid—s.
Simply slap the B—15R plugin at the end of your chain and tweak its 3—band equalizer to your desired fatness. You can also choose to run the amp simulator at w for more clean headroom or at 60w for more warm tube saturation. Think we missed one? Let us know in the comments.
It scans your PC , identifies the problem areas and fixes them completely. You may receive an error message like the ones below that indicates the file is not found, damaged, or the wrong version. This application failed to start because rbass. The file rbass. A required component is missing:
VIDEO: 10 of the best VST/AU bass enhancement plugins
Just curious about what your favorite bass plugin to use is? Honestly for me right now i completely hate trying to use any of my basses. If you are looking for a Bass Enhancer VST or a MaxxBass alternative, this post will help you. Get the bass VST Plugin you need for the perfect bassline. Everything from analog synth VSTs to digital bassline monsters for that massive bottom end.