Synapse Audio Dune 2
Wed Jan 21, 6: Germany DonnieAlan wrote: Each patch can be made up of up to 8 voices, with each voices made up of up to 3 oscillators mixed together. You’re only limited by your imagination and your CPU.
Synapse Audio Updated DUNE 2 Synthesizer With NKS Support
Shares Our Verdict The best-sounding synth we’ve heard in quite a while, Dune 2 is powerful, flexible and bursting with a character all its own. Pros Rich, beautiful sound. Incredible unison options. Versatile envelopes, nine effect modules. Outstanding wavetables. Surprisingly light on host CPU. Cons Basic FM implementation. Wilder distortion types would be nice. Expanding on v1’s powerful per-voice modulation capabilities, Dune 2’s eight unison layers can be spread via detune and pan controls as before, but can now be directly edited globally or individually each voice can be soloed , unlike the original where you had to program changes to the eight unison layers via the modulation matrix which you can still do too.
It’s important to note that Dune 2 is not backwards compatible with Dune 1 presets. Are these impressive figures actually meaningful in real-world usage? Indeed they are: Dune tune Oscillators 1 and 2 can each be set to one of three synthesis modes: In WT mode, you have access to 27 banks of wavetables – including ‘Legacy’, which comprises the 60 waveforms from the original Dune – with the awesome newly added ability to smoothly morph from one to the next when modulated, ideal for crafting detailed, moving pad patches.
Another interesting wavetable consists of 22 transient waveforms, seemingly sampled from a variety of live instruments, and including drum and percussion sounds as well as piano, bass and flute. The FM synthesis type is actually Yamaha DX7-style digital phase modulation, rather than analogue frequency modulation, with two algorithms based on three sine wave operators.
It’s a very limited implementation, but that’s fine, as FM synthesis clearly isn’t Dune 2’s main selling point. Having said that, it can produce a variety of basic FM timbres, and when you factor in the eight-layer system with up to 32 stacks per voice, the point is not so much to revisit traditional FM synthesis, but more to explore avenues offered by combining it with the synth’s insane multi-oscillator capabilities.
To reiterate: Oscillator 3 is rather more limited than 1 and 2, having evolved from the original Dune sub oscillator, though now being freely tunable. There’s also a noise generator with adjustable stereo width and its own high- and low-pass filters, and a ring modulation option between oscillators 1 and 2.
Heavenly 17 Dune 2’s filter has a Drive control and a choice of 17 types, including numerous high-pass, low- pass and band-pass variants, as well as 14 subsequent filter ‘effects’ for further processing – notches, combs, distortion, etc. They sound exceptionally smooth and utterly convincing in terms of ‘analogue’ realism.
Other new features include four MSEGs MultiStage Envelope Generators that can be easily edited to produce complex bespoke modulations, including tight rhythmic effects; the addition of a Slide function to the arpeggiator; and the ability to import MIDI files for use as arpeggiator sequences.
Individual unison voices can be routed to either of the two Master Effects busses, which now include two delays, two EQs, distortion, phaser, chorus, reverb and compression modules. These are all exceptionally high quality for built-in effects – especially the reverb – and can be ordered however you please. Sand storm Between its well-equipped oscillators and flexible zero-delay feedback filters, the overall sound of Dune 2 is distinctly clean and rich in character.
It can certainly roar and growl when that’s what you want, but the general vibe is expensive-sounding and glossy. You can tell that it’s digital, even though it confidently exudes many of the qualities of vintage analogue hardware synths. Perhaps this unique character is partly down to the complex stereo decorrelation brought about by all that oscillator stacking and unison layering.
Dune 2 is definitely one of those all-rounders that can deliver most of the sounds you’re ever likely to want from a synth, from lush pads to thick basses and soaring leads. As well as its extensive feature set, it also boasts impeccable sound quality and unbelievably low host system resource usage. If the original Dune was something of an under-rated gem, the remake is surely destined for modern classic status.
The best of MusicRadar in your inbox Don’t miss the latest deals, news, reviews, features and tutorials No spam, we promise. You can unsubscribe at any time and we’ll never share your details without your permission. Most Popular.
Dune 2 is here. It is an easy to use synthesizer plugin with great sound quality and low CPU usage. Having a lower hit on the CPU is usually not the norm these days, as high power synth plugins seem to demand more and more out of the computer. It allows you to affect each of the eight unison voices separately, modulating each in different ways. When I heard that Dune 2 was going to be released, I knew it was going to be a special event.
VIDEO: Dune 2 Sound Bank
Expanding on v1’s powerful per-voice modulation capabilities, Dune 2’s eight unison layers can be spread via detune and pan controls as. Synapse Audio Software excitedly released their DUNE 2 VST program, vowing that it was “better than ever” following a redesign. Synapse. Our most popular synth DUNE is back – and better than ever! DUNE 2 was rewritten from scratch, in order to provide a yet higher sound quality and allow for an.